Content > Concept > Form - Production
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Every book
starts with an idea
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There are so
many books that exist - how your design can be
original or stand out
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Ideally all
books start as a question
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Reinvent
& Rethink
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Consider editing,
purpose and alternative direction
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Content is the
source of information
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Design and
content go hand in hand
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Think who
and what you are communicating
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Are the
design decisions justified?
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Consider
typography, page layout and structure
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Be ambitious
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Irma Boom
creates commercial not artist books - looking into production
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Challenge
conventions e.g. big type
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Content
involves research and understanding to create a concept
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Critically
analyse aesthetic and concept
- Content > Concept > Form -
Production
- Engage with research to inform
content
Visual Editions – Tree of codes
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Plays with form
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Uses die cutting
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Removing information in production
gives a new narrative
Kapowl
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Unfold pages
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Immersive book
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Emotive response
Questions
to consider:
Where does the book exist?
What space are you reading the book?
Are there any restrictions? – read alone or with
friends?
Think how, why and where?
What are you communicating?
What is the platform for communication?
Production
inspired ideas:
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Book
contained within a phone box (no set form)
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Dip in
alcohol relating to the initial context
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Create a
reveal book – cut out iPhone or rectangle (screen window) to reveal texts
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Drunk you
forget things – could type or elements of book be missing to visualise this?
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